*Digital formats are available elsewhere (Apple, Amazon etc.) but I strongly recommend purchase from BandCamp because…it’s cheaper to you there, and you will receive not only a higher quality file (if you choose) but you will also receive an extra song (shhhhh! It’s a secret!), but you will also receive the full colour artwork booklet and covers for the album in PDF format too. And also for the selfish reason that I receive a fairer share of the sale value, meaning Violet’s Gone IV can happen in the near future!
**Physical formats are provided by ElasticStage.com on a made-to-order basis. Made-to-order means it can take up to a month for products to be produced and shipped. Shipping is calculated by the manufacturer and will come up on the checkout page (typically between £6-8 for UK shipping on vinyl)
***Vinyl format…I love vinyl records, so it was important to me that this release had a vinyl option. However, I’m not rich enough to gamble on investing in a full pressing run. The current press-to-order service doesn’t allow for a double album length – as such you will see on ElasticStage that there is a Part I (with booklet) and Part II (without booklet), ordering one or the other does work but you’ll only get half the experience. I appreciate it is expensive but I opted for the most economic vinyl packaging option they offer – and I have to say, it looks gorgoeous!
**** Finally! If ordering a physical format; I can provide a download code for BandCamp if you contact me at violetsgone@yahoo.com with proof of purchase of either format from ElasticStage.
Available to stream/download from today over at the Bandcamp site
A new orchestral work composed by Chris Fordham and released under The Silent Committee moniker.
The 1st track, Occam II, is a complete movement of music centred primarily around piano and viola but also features a wider orchestral pallette than on previous works, introducing percussive and wind elements into the mixture.
As with Chris’s previous orchestral release, restrictions of access/funding to musicians means the majority of instrumentation is midi based, excluding some live elements of viola, piano and bowed bass played by Chris himself.
Occam III is an experiment in orchestral ambience – long drawn notes that interweave and create moments of peace and discomfort in equal measure.
Download of the full EP includes high a resolution image of the full original artwork ‘Occam IV’