*Digital formats are available elsewhere (Apple, Amazon etc.) but I strongly recommend purchase from BandCamp because…it’s cheaper to you there, and you will receive not only a higher quality file (if you choose) but you will also receive an extra song (shhhhh! It’s a secret!), but you will also receive the full colour artwork booklet and covers for the album in PDF format too. And also for the selfish reason that I receive a fairer share of the sale value, meaning Violet’s Gone IV can happen in the near future!
**Physical formats are provided by ElasticStage.com on a made-to-order basis. Made-to-order means it can take up to a month for products to be produced and shipped. Shipping is calculated by the manufacturer and will come up on the checkout page (typically between £6-8 for UK shipping on vinyl)
***Vinyl format…I love vinyl records, so it was important to me that this release had a vinyl option. However, I’m not rich enough to gamble on investing in a full pressing run. The current press-to-order service doesn’t allow for a double album length – as such you will see on ElasticStage that there is a Part I (with booklet) and Part II (without booklet), ordering one or the other does work but you’ll only get half the experience. I appreciate it is expensive but I opted for the most economic vinyl packaging option they offer – and I have to say, it looks gorgoeous!
**** Finally! If ordering a physical format; I can provide a download code for BandCamp if you contact me at violetsgone@yahoo.com with proof of purchase of either format from ElasticStage.
Here, we are going right back! Way, way back! Around 2005/2006 time was where it all began. A young Chris dressed head-to-toe in black singing sad, mostly acoustic songs into the microphones at Beck Studio in Wellingborough. The Beck Studio sessions never got released to the world because I felt my inexperience shone through a little too much. The first songs that made it onto the internet were 4-track cassette demos and then from these demos I returned to a studio. Hot Rock in Northampton was recommended to me by Stevie Jones of the Wildfires so I sought them out to complete a demo CD of ten songs playing acoustic guitar, bass, lap-steel and vocals. I’m still proud of it as a whole but for similar reasons to the Beck sessions they’re not out there in the world anymore; I was young and not fully developed as a songwriter and definitely not as a singer. It was still the days when MySpace reigned supreme that these songs got any air.
I’m contemplating putting together a compilation of earlier songs via Bandcamp in the near future and may well include a song or two from these sessions if I feel they can still work and survive in the real world.
Below is a song that was written for the Beck recording sessions – although the version shared was recorded around 6 years later at home, with a more focus approach on production.