Archives for the month of: November, 2023

I’ve always enjoyed movie scores and classical compositions. Unfortunately, I move in circles where people don’t share much of that same love and regularly miss out on attending concerts, recitals and even taking part in such music.

Over the years I’ve begun writing many compositions for string quartet and other small orchestral arrangements, but am yet to do anything with them. This year I completed my longest piece to date, a 15 minute, atonal piece for string quartet, harp and ondes martenot.

Hiring both a string section and the equipment and space to record them is way beyond my budget. So as it stands I only have a midi interpretation. It is something I debate putting out into the world with some embellishment of my poor viola playing, as it may be the only chance it is heard. Would you stream a midi orchestral EP/Album?? Let me know in the comments or an email.

It is my ambition to put some of this experimental quartet music out there in the next year or so, but it could just be an ambition. Time will tell.

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One rare occasion came about back in 2011 when I was asked to write a piece of music for The Big Music Weekend in Earls Barton. A friend of mine was set to write for the event but for reasons had to pass on the opportunity and passed it onto me. So I ended up with my 1st piece of classical music to be performed.

Here is ‘Behind The Veil’ as performed at the festival. The musicians received the score one day before, and practiced the song in ensemble only twice before the performance. I was impressed at how they managed such a tight performance with such little prep time.

CFx

Surprise!

[4-D] Recordings is proud to present…

a new EP of very experimental droning ambiance for your ears to feast upon.

AND

It is yours for free.

The project is entitled: Cloud Helices/Briefly Falling/Ne’er Onwards

this is the debut EP of a project by Krzysztof Mahdrof that features sprawling soundscapes, ambiance and noise in equal measure. All this set to the slowest BPM possible.

You will need headphones.

Tracklisting:

1.everything passes and vanishes
2.speak my name softly after I have gone
3.no songs but sad dirges
4.the beam of a lightless star

***as a bonus feature of this EP, it has been arranged in such a way that if you can play all 4 tracks at the same time on four different speakers, you will create an impressive yet cohesive noise.

Much love

CFx

Kismet Hardy were an excellent new folk group from the Northampton – Kettering area. They played a mix of traditional and original folk music and were regulars at acoustic evenings in the county and further afield. I was a big fan and would invite them to play my Folk In The Afternoon gigs at The Fishmarket Art Gallery and Nook Cafe. Having shared stages with them numerous times we got to discussing recording. Back around 2010 time my recording setup was minimal and lo-fi to an extreme! We recorded a 5 song EP in a mixture of my student room and various band members houses. The setup was an AXL mixer and a passive AKG microphone directly into a laptop headphone socket…how the recording sounds as good as it does is a mystery. For one thing, it’s the musicianship and songwriting that elevates this session.

My favourite of the songs we tracked was ‘May Song’, which fortunately still lives on an old SoundCloud account from when I was making a go of recording projects around Northampton. The song begins on a pair of Jon Delaney’ guitars before Kate Beresfords vocals lead in. After a verse the rhythm section of Rai Clews on cajon, and Kevin Ward on fretless bass power in alongside a flute solo. On this particular song I only contribute a backing vocal and the recording setup and mix. Elsewhere on the EP I would play violins and additional percussion.

I would love to hear more of this band again, their SoundCloud page is still active and I’ve been thoroughly enjoying revisiting their songs this evening. ‘Wasps Nest‘ was always a favourite: (I’d have made sure we recorded it if it had been written before our sessions).