Surprise!

[4-D] Recordings is proud to present…

a new EP of very experimental droning ambiance for your ears to feast upon.

AND

It is yours for free.

The project is entitled: Cloud Helices/Briefly Falling/Ne’er Onwards

this is the debut EP of a project by Krzysztof Mahdrof that features sprawling soundscapes, ambiance and noise in equal measure. All this set to the slowest BPM possible.

You will need headphones.

Tracklisting:

1.everything passes and vanishes
2.speak my name softly after I have gone
3.no songs but sad dirges
4.the beam of a lightless star

***as a bonus feature of this EP, it has been arranged in such a way that if you can play all 4 tracks at the same time on four different speakers, you will create an impressive yet cohesive noise.

Much love

CFx

Kismet Hardy were an excellent new folk group from the Northampton – Kettering area. They played a mix of traditional and original folk music and were regulars at acoustic evenings in the county and further afield. I was a big fan and would invite them to play my Folk In The Afternoon gigs at The Fishmarket Art Gallery and Nook Cafe. Having shared stages with them numerous times we got to discussing recording. Back around 2010 time my recording setup was minimal and lo-fi to an extreme! We recorded a 5 song EP in a mixture of my student room and various band members houses. The setup was an AXL mixer and a passive AKG microphone directly into a laptop headphone socket…how the recording sounds as good as it does is a mystery. For one thing, it’s the musicianship and songwriting that elevates this session.

My favourite of the songs we tracked was ‘May Song’, which fortunately still lives on an old SoundCloud account from when I was making a go of recording projects around Northampton. The song begins on a pair of Jon Delaney’ guitars before Kate Beresfords vocals lead in. After a verse the rhythm section of Rai Clews on cajon, and Kevin Ward on fretless bass power in alongside a flute solo. On this particular song I only contribute a backing vocal and the recording setup and mix. Elsewhere on the EP I would play violins and additional percussion.

I would love to hear more of this band again, their SoundCloud page is still active and I’ve been thoroughly enjoying revisiting their songs this evening. ‘Wasps Nest‘ was always a favourite: (I’d have made sure we recorded it if it had been written before our sessions).

The new album from The Silent Committee is finally here!

It is entitled; ‘One Day The Sadness Will End, But I Don’t Think Today Is The Day’.

This uplifting collection of 10 songs features ambiance, acoustic instruments and electronic experimentation in equal measures.

The album can only be found to stream/download on the BandCamp page. The download also comes with large format, high quality artwork files.

  1. One Day The Sadness Will End, But I Don’t Think Today Is The Day
  2. Lyrical and Imprecise
  3. Invisible Maps
  4. Diminished
  5. If You Can Forget What Hour It Is
  6. December ’08
  7. A Still, Leaden Sky
  8. I Will Wait, I Will Perch
  9. City of Reflections
  10. 333-2

All music written, performed, recorded, and mixed by Chris Fordham. He also did the cover artwork too.

Many thanks to Becky Fordham for putting up with me during the making of this record. Also special thanks to Jon Stolber for lending an ear in the recording phase.

Today I’m re-releasing the 2009 song Took A Walk.

This was done as a solo artist with no project name, just me being me, Chris Fordham.

As noted a few posts back, this song came from a time laden with sorrow, and was something that gave me a focus. I don’t like to dwell too much on the scenario, but the song is there as a reminder. Despite its inherent sadness, there is a positivity that comes from it by the end of its 6 minute runtime.

So why re-release it now?

Today is World Mental Health Day and I wanted to potentially raise some money for a mental health charity that mattered to me at the time the song was written, and who still do valuable work to this day. The Samaritans.

If this raises them a quid or two, it’s done some good.

https://violetsgone.bandcamp.com/album/took-a-walk

This 2023 version of the song has been completely remastered from the original recorded parts, and a couple of additional instruments tracked/re-tracked and new effects and mixing knowledge applied to improve it. Accompanying it is a new recording of a song that featured as the b-side to ‘Took A Walk’. ‘Twilight’ was a live favourite for my solo shows and is still one I happily play today – I’ve put this new version out under the name Violet’s Gone, as it does relate more to who I am nowadays. It was an excuse to dust off the autoharp as well.

The lead single from my new album as The Silent Committee, City of Reflections, is available as a FREE download NOW!

https://thesilentcommittee.bandcamp.com/album/city-of-reflections

The download includes an extra non-album track.

Also, if you didn’t see it already there is a video that accompanies the song, here or here.

The new album is entitled ‘One Day The Sadness Will End, But I Don’t Think Today Is The Day…’ and is due to be released on October 27th exclusively through the projects BandCamp.

See above the video for the lead single ‘City of Reflections’.

The single will be available to download for free on Friday October 6th and includes an extra non-album track!

The album will do all the usual TSC stuff – instruments played, sampled, broken and oddly arranged in a minimal, ambient fashion. It’s been a stop start few years in the making, but overall I’m happy with the result.

Subscribe to the blog here and/or follow @ 4DRecordings on instagram for more news on the album release as it happens.

Much love.

CFx

This was the look back in 2014.

Post Enki, pre-Violet’s Gone.

I’d donned Buddy Holly specs for those few gigs too.

There were only three more solo shows (performed as Violet’s Gone) between this photo and today.

Photo credit, Thomas Nightingale (TEN Photography)

Venue; The Lab, Northampton