Archives for posts with tag: music

It’s time I stopped talking about myself.

I listened to A LOT of music throughout the year. Not all of it is new, new. As in not all originally released in 2023, but they were new to me or were re-released this year in a new way (that counts!). So hopefully you’ll find something.

Slipknot – Volume 3. The Subliminal Verses

I am not a big Slipknot fan. Subliminal Verses though is an incredible LP. I got hold of the purple vinyl pressing this year and was glad I did. ‘Vermillion Part 2’, ‘Circle’ and ‘Danger! Keep Away’ are all strange standout tracks in Slipknots back catalogue and I had a real attachment to those tracks in my teen years. Hearing them again here on vinyl was amazing. Even the heavier stuff on this LP – ‘Duality’, ‘Before I Forget‘ – is well made, fierce and with clever lyrics. Their first two LPs I could take or leave as it was all about shock value and violence; they really stepped up on this album and a lot of their subsequent releases show further progression from here. Their 2022 album ‘The End, So Far’ has some great moments too; but this a one album per band kinda list.

R.E.M. – UP

A classic album re-issued in November of this year. R.E.M. are mostly responsible for my interest in music. Until I heard the album Reveal, music was just background, but that album woke me up. That being said; having obsessively collected their back catalogue in my teen years, Lifes Rich Pageant and Up stood above as my favourites. They are very different sounding albums, but both great in their own way. Up hadn’t been on vinyl in a long time, and the new 2-LP pressing of it was beautiful. Stand out tracks for me are the opening ambiance of ‘Airportman’ and ‘Walk Unafraid‘. Micheal Stipes lyrics throughout the album are engaging and the rest of the bands experimentation with synthesisers and drum machines is incredibly well done, and was quite daring for them at the time.

King Gizzard & The Lizard Wizard – Ice, Death, Planets, Lungs, Mushrooms and Lava

Where to begin with this one…I’ve been a King Gizzard fan for a while and for anyone else who is, you’ll know that keeping up with this band is difficult! Insanely prolific and very hard to pin down to just one genre of music. Amazing as always. Omnium Gatherum and K.G. were up to now my favourites, but I do think Ice, Death, etc may have stolen their place. An entire side of vinyl is dedicated to the song ‘Iron Lung‘, and it is so listenable, and repeat listenable.

Beastwars – Blood Becomes Fire

I first came across this band on a BandCamp compilation album series called Weedian (terrific stoner rock and metal compilations that gather music from a given city/state/country per album). I’m a bit late to the scene as this album came out in 2013! This album is fierce in all the right ways and even manages some moments of calm. It’s not my usual style, but I seriously enjoyed this. Stand out tracks for me are; ‘Caul of Time’, and album closer, ‘The Sleeper‘.

Andrew Bird – Outside Problems

Andrew Bird is a musician I’ve been a fan of for quite along time. His song Armchairs is still the most played on my iTunes to this day. I almost completely missed Outside Problems being released somehow. Last years Inside problems and its accompanying videos were fantastic and a recommendation too. Outside Problems is a different album though as it is an instrumental compilation of improvisation and noodling on various instruments, mainly centered around his amazing violin skills.

Crosses – Goodnight, God Bless, I Love U, Delete

Deftones are up there as one of my favourite bands and Chenos vocals are obviously a very big part of their sound. Crosses has been an on/off project for a good number of years. As and when they do appear with new music, it is usually of very high quality and worth the wait. This full length album is fantastic! The rock and electronica elements all come together well. I hesitated when I saw El-P guesting on a song, worried that this album was going to descend too far into rap territory throughout – fortunately I was wrong, and also that particular song ended up being my favourite anyway.

Heather Bond – The Mess We Created

I first stumbled across Heather Bonds music during the covid lockdowns. I believe she had been working on this album for quite some time and was posting little snippets of audio and video from it. Lead single ‘Ich Weiss Nicht’ is a very very catchy tune and with very thoughtful lyrics. Aswonderful as the instrumentation on the album version is, the live in Nashville youtube video showcases the songs versatility in a different way. The album is very worth a listen. Some simple pop sounds, lavish strings, electronic influences in places…I can’t say enough good things about it.

DIIV – Is The Is Are

The algorithm worked! It found my some decent modern shoegaze. This album is brilliant from start to finish. Walls of guitars and reverb heavy, whispery vocals…it’s a fantastic trip. There are slow sad songs and upbeat rock tunes in equal measure. Dopamine is the fast paced single that got my attention initially, and whilst it remains a favourite, it has some serious competition for favourite song from its brethren on the album.

The Brian Jonestown Massacre – Their Satanic Majesties Second Request

Again, I’m very late to the party. This album is a more modern release but has all the sound characteristics of a late 60’s rhythm n blues/psychadelic effort – and it does it so very, very well. Think Beggars Banquet era Rolling Stones and you’ll have an idea of where this is coming from. The song ‘Anemone’ has been circling my playlists all year and is unlikely to leave anytime soon.

Wilco – Yankee Hotel Foxtrot

Wilco have quite possibly been my band of the year. I had developed a minor obsession with the song ‘I Might’ a few years ago after my brother put it on a compilation tape in the car. I never really sought out any more by them though for some reason…until now. This year I’ve acquired four of their albums and I love them all. Yankee Hotel Foxtrot is probably what is considered there essential release, and it’s not without reason. Their style became more electric influenced on this album, but beneath the studio trickery and imaginative sounds, the superb songwriting Jeff Tweedy and co were known for still shines through. If you pick up any of the songs from this album and strum them on an acoustic guitar, or play them at an upright piano, they still sound amazing. The album closer Poor Places is the song that drew me to this album, but honestly if it starts playing the album from track one I’ll be in a trance state and just listen to it right through without moving or doing anything else.

The Smile – A Light For Attracting Attention

So this ended up in most magazines best of 2022 listings…and I didn’t get it at the time. The album on the whole sounded ok, a bt noodly, no real standout moments for me. I listened to it once (on the double yellow vinyl, of course, because I’m a Radiohead completionist with my collection…) and then shelved it, not sure if I’;d pick it up again. Wheras Thom Yorkes ‘Anima’ or Ed O’Briens ‘Earth’ have received consistent play on the turntable…this looked doomed to remain in its sleeve. So why is it on this list? I had a revelation with it. I kept hearing snippets of it here and there and noticing different elements to the songs that appealed to me. ‘Free In The Knowledge’ I believe is one of Thom Yorkes most heart felt set of lyrics and the simple arrangement, that initially put me off, is exactly what those words needed for accompaniment. I listened to the LP in a new frame of mind…there are still in my view one or two filler tracks, but on the whole its pretty solid. The songs aren’t trying to relive Radiohead, if anything it sounds like they’re conciosuly moving as far away from that sound as they can; and that’s actually not a bad thing. Listened to in that framing, the album makes sense and works. Just don’t expect anything to sound like ‘My Iron Lung’, ‘Idiotheque’ or ‘There There’ – you’ll be disappointed. Listen to the record as a new project within its own boundaries and appreciate the word weaving and the beautiful string arrangements.

The Pixies – Wave of Mutilation

Every best of the year list requires a ‘best of’ compilation. Here we go. I don’t need to explain this one. The classic Pixies albums are fantastic and a single record that compiles the highlights can only be a great thing! **this being said, do check out new Pixies albums, because the latest few records have been amazing too.



This was by no means a full list of what I’m listening to right now, but it gives a snapshot. I might start putting together some spotify lists in the future to share where I’m at and whose sounds I’m digging.

Thanks for reading and I hope you find some new songs from this list.

CFx

Surprise!

[4-D] Recordings is proud to present…

ANOTHER new EP of very experimental droning ambiance for your ears to feast upon.

AND

It is yours for free.

The project is entitled: Cloud Helices/Briefly Falling/Ne’er Onwards

this is the second EP of the project by Krzysztof Mahdrof featuring sprawling soundscapes, ambiance and noise in equal measure. All set to the slowest BPM possible.

You will need headphones and a quiet space for the best experience.

Tracklisting:

1.the world’s a minefield
2.through the storm, through the night
3.stelele-n cer
4.of night and light and the half-light

***as a bonus feature of this EP, it has been arranged in such a way that if you can play all 4 tracks at the same time on four different speakers, you will create an impressive yet cohesive noise.

For those who download the EP (which is FREE, did I mention?) you’ll also get a bonus 5th track that can’t be streamed – that file is the four tracks all played together and backwards! (it works, honestly)

Much love

CFx

Kismet Hardy were an excellent new folk group from the Northampton – Kettering area. They played a mix of traditional and original folk music and were regulars at acoustic evenings in the county and further afield. I was a big fan and would invite them to play my Folk In The Afternoon gigs at The Fishmarket Art Gallery and Nook Cafe. Having shared stages with them numerous times we got to discussing recording. Back around 2010 time my recording setup was minimal and lo-fi to an extreme! We recorded a 5 song EP in a mixture of my student room and various band members houses. The setup was an AXL mixer and a passive AKG microphone directly into a laptop headphone socket…how the recording sounds as good as it does is a mystery. For one thing, it’s the musicianship and songwriting that elevates this session.

My favourite of the songs we tracked was ‘May Song’, which fortunately still lives on an old SoundCloud account from when I was making a go of recording projects around Northampton. The song begins on a pair of Jon Delaney’ guitars before Kate Beresfords vocals lead in. After a verse the rhythm section of Rai Clews on cajon, and Kevin Ward on fretless bass power in alongside a flute solo. On this particular song I only contribute a backing vocal and the recording setup and mix. Elsewhere on the EP I would play violins and additional percussion.

I would love to hear more of this band again, their SoundCloud page is still active and I’ve been thoroughly enjoying revisiting their songs this evening. ‘Wasps Nest‘ was always a favourite: (I’d have made sure we recorded it if it had been written before our sessions).

The new album from The Silent Committee is finally here!

It is entitled; ‘One Day The Sadness Will End, But I Don’t Think Today Is The Day’.

This uplifting collection of 10 songs features ambiance, acoustic instruments and electronic experimentation in equal measures.

The album can only be found to stream/download on the BandCamp page. The download also comes with large format, high quality artwork files.

  1. One Day The Sadness Will End, But I Don’t Think Today Is The Day
  2. Lyrical and Imprecise
  3. Invisible Maps
  4. Diminished
  5. If You Can Forget What Hour It Is
  6. December ’08
  7. A Still, Leaden Sky
  8. I Will Wait, I Will Perch
  9. City of Reflections
  10. 333-2

All music written, performed, recorded, and mixed by Chris Fordham. He also did the cover artwork too.

Many thanks to Becky Fordham for putting up with me during the making of this record. Also special thanks to Jon Stolber for lending an ear in the recording phase.

The lead single from my new album as The Silent Committee, City of Reflections, is available as a FREE download NOW!

https://thesilentcommittee.bandcamp.com/album/city-of-reflections

The download includes an extra non-album track.

Also, if you didn’t see it already there is a video that accompanies the song, here or here.

The new album is entitled ‘One Day The Sadness Will End, But I Don’t Think Today Is The Day…’ and is due to be released on October 27th exclusively through the projects BandCamp.

See above the video for the lead single ‘City of Reflections’.

The single will be available to download for free on Friday October 6th and includes an extra non-album track!

The album will do all the usual TSC stuff – instruments played, sampled, broken and oddly arranged in a minimal, ambient fashion. It’s been a stop start few years in the making, but overall I’m happy with the result.

Subscribe to the blog here and/or follow @ 4DRecordings on instagram for more news on the album release as it happens.

Much love.

CFx

The Silent Committee EP, ‘Imperfect Machines’, makes it’s debut on streaming sites from today!

If you like it enough it is still available to download from Bandcamp for a very affordable price.

If you’re the streaming kind then Spotify, Apple, Tidal, YouTube etc. will see you right.

Also as with the other releases lately, you can dance to them on TikTok or soundtrack bizarre reels on Instagram.

Imperfect Machines was the last lengthy and fully conceived/planned release from the project back in 2019. It sought to be the acoustic album, utilising no synthesis or electronic instruments – heavily relying on upright piano, viola, voice and various string instruments. The acoustic were ultimately toyed with by effects pedals and laptop maniupation, but the acoustic sounds do still shine through.

Since the release of this EP the project has lay kind of dormant, releasing tunes for piano day and odd songs here and there.

But all that will change in October. Stay tuned!

CFx

Took A Walk

This song was a real slog to make. It’s lyrics are a little cliche, for sure. The tune is simple. The repetitive refrain of ‘time to save’ was sung in four part harmony without looping or pitch correcting – I sang every single one!

It wasn’t a happy time but the song, I think, kind of pulled me through.

The EP still exists on BFW Recordings website as a free download, and the music video still resides on YouTube and below. I do intend to soon either remaster or completely re-record the song with my improved recording abilities and will probably put it online sometime on or around October 10th.

For now though, ‘enjoy’ the original in all it’s awkward and difficult glory!

The Silent Committee’s 2014 album ‘zero.’ has undergone the remaster and expanded reissue treatment.

All 10 of the original tracks have been edited to boost volume, improve dynamics and just sound better than they have ever sounded before. The reissue also compiles all 3 songs recorded for the BFW Recordings series ‘Album In A Day’ and improves their audio. There are then 2 more compilation project recordings, possibly unheard of before due to their obscurity.

As always: for purchasing the album Bandcamp is your best bet – cheapest, comes with high quality artwork and liner notes, and your purchase supports the artist directly! The Bandcamp page itself features a write up on each track individually about inspiration, instrumentation and background on all the songs makings.

If you’re more the streaming kind then please support The Silent Committee over on Spotify, Apple, Tidal, YouTube etc. Any plays and shares help us out.

If you feel like setting a TikTok or Instagram reel to these strange electronic/ambient tunes then they should be available on there too! (I’d love to see what they end up soundtracking)

1.opal 02:50
2.façade 06:55
3.abode 03:15
4.chimera 02:58
5.workhorse 04:11
6.aura 05:59
7.wallflower 03:16
8.ember 04:09
9.perfect 01:43
10.comrade 05:04
11.+tive 05:24
12.Caffeine 03:44
13.News From Nowhere 02:44
14.Plastic Symphony 01:53
15.Time For Joy (demo) 01:20

CFx

Enki were a huge part of the Northampton music scene throughout the 2000’s and early 2010’s.

I joined the band playing bass in around 2008 after spotting a poster tacked up in The Labour Club that said something along the lines of – must like playing 7 minute songs with only one chord. I was intrigued, looked them up online and was hooked on the their debut EP.

We played many, many gigs. Mostly around Northamptonshire itself, popping up at The Umbrella Fair, Bardic Picnic, White Ark festivals and many others. Our live performances took us further afield with Liverpool and London being particular highlights.

There were numerous live and studio recordings made during our time together that we distributed randomly on CD. We were all into DIY music production and made a good number of songs. The one that got some good attention towards the end of our run was a song called ‘Beta Moon’, that saw airtime on BBC Northamptons Weekender Introducing programme and is featured on the soundcloud link below. The band saw a few lineup shifts throughout the 8 years we gigged. This song features Mike Goff on vocals, Thomas Nightingale on guitar and backing vocals, me on bass and backing vocal, and Owen Copps on drums. This recording also features the viola playing of Roz Webber.

The band never officially split up. We’re more on hiatus due to geographic problems and real life happening. There have been efforts to reunite and jam as recently as 2022 with a planned festival appearance, but unfortunately that return event was cancelled completely, leaving us without a venue. Maybe next time. The various members meet up and talk online about projects, so who knows maybe some recordings in the near future, either as Enki or something else.